SongPilot’s agents are specialists, not one general assistant. Knowing which one owns what, and what they read before answering, is most of getting useful work out of them.
Meet them on the Team page
Open Team. It is described as where you Manage your human collaborators and AI agents, and the AI Agents section lists the specialists in your workspace.
Each one has a name you chose and a role badge you did not. The badges are the fixed part: Content Writer, Publicist, Visual Director, Producer, Songwriter and the rest. The names above them are yours, so two workspaces can call their publicist different things and still route the same.
Read the badge, not the name, when you are deciding who owns a job.
Start a conversation
Every agent card has a Chat button. That opens the conversation with that specialist already selected.
Open Collaboration in the top bar does the same from anywhere, and gives you the Chats list of conversations you already have. An empty one says Start a conversation and tells you to choose an agent from the sidebar.
Let the orchestrator route
You do not have to pick correctly. The agent with the AI&R badge reads what you asked for and hands it to the specialist who has the tools for it, so “I need artwork and a caption for this” can reach more than one.
Ask for the outcome you want rather than naming an agent, and let the routing happen. Where you started the conversation matters less than what you asked for.
Requests about a song split three ways. How a recording sounds goes to the Producer, writing the song goes to the Songwriter, and artwork or video goes to the Visual Director.
Get feedback on a recording from the Producer
The Producer listens to a song from your catalog before it gives an opinion. Ask for feedback on a named song, or say “listen to my track”, and it runs a review on our audio model.
A review has two parts:
- Numbers that are measured, not guessed: integrated loudness in LUFS, true peak, loudness range and tempo.
- A producer’s notes: what happens section by section with timestamps, the arrangement and energy, mix balance, low end, vocals, released tracks with a comparable sound, an estimated key, and a short list of fixes in order of importance.
The Producer leads with the one or two fixes that change the most, not thirty small notes.
Each review is dated and kept with the song. Ask about the same audio again and you get that review back without paying for a new one. Other agents can read your reviews too: the Songwriter sees what the Producer heard, and the Publicist and Manager can use it when planning.
A few limits:
- The Producer listens to tracks up to 10 minutes long.
- It does not start a review you did not ask for. It offers, and runs one when you say yes.
- If a review is still running after about 45 seconds, the Producer tells you. The review is saved with the song when it finishes, so you can ask for it later.
A review costs 40 credits for any track up to the 10-minute limit. It costs no credits if your workspace runs on its own AI provider key.
Write with the Songwriter
The Songwriter is a coach. You write the song. It helps with lyrics, titles and hooks, rhyme, syllables and stress, chords and song structure.
It reads the full lyrics and sections of a song in your catalog, with its tempo and genre, before commenting on it. Syllable counts, stress patterns, rhyme schemes, rhymes and chord theory come from tools that work them out, not from the model’s memory. That covers Roman numerals, borrowed chords, transposing and capo positions. When a word is not in its pronunciation dictionary, it says so instead of guessing. Syllable and rhyme checks work in English only.
How it helps:
- It quotes your line, then offers two or three options with a reason for each, and you choose.
- It never rewrites your song. Nothing it suggests goes into the song unless you choose it.
- It is never a credited writer. The people who wrote the song are its writers.
It also saves your own lyrics for you. Paste the real lyrics of a song, or correct what the transcription misheard, and say which lines are the verse, the chorus and so on. The Songwriter saves them to the song in those sections, and each line keeps its place in time from the words the transcription heard, so you do not retime anything by hand. Saving is free.
Lines the transcription missed altogether get an estimated time, and the Songwriter tells you which ones. To place them properly, ask it to time the lyrics: it listens to the whole recording with your lyrics in hand and times every line. That costs 45 credits a song, and it tells you the price and waits for your yes first. It costs no credits when your workspace has its own key for image and video generation stored. Check the result on the song’s Lyrics page, where you confirm the timing.
Edit a music video with the Visual Director
Once a music video has its scenes, the Visual Director can edit the video itself. Ask in chat, for example “start the chorus shot on its first line”, “dissolve into the bridge”, “give it a warm look”, “add our name at the start” or “show the lyrics”.
It works on the video’s Edit: the scenes’ clips on the song, the transitions between them, a colour look, titles and lyrics. Cuts stay on the song, so a transition never pulls the picture out of time with the music. Each change becomes a new version, and the Visual Director looks at frames of the result before it answers, so it can fix text that is hard to read before you see it.
On the music video’s page, the Edit panel shows the frames of each version. Use this version goes back to an earlier one, and Render video makes it the final video. You get a notification when the render is ready, a few minutes later.
Each edit costs 1 credit. Going back to a version and rendering the video are free.
Why your setup decides the output
The agents are not writing from nothing. They read your artist profile, your members, and your catalog before they answer.
That is why a thin profile produces generic work. An agent with a real biography, a genre, a location and songs on file writes about your act. An agent with an empty profile writes about a generic one, however carefully you word the request.
If the output feels like it could be about anyone, fix the profile before rewriting the prompt.
What to do next
Fill in the artist profile if you have not. Then ask a specialist for something small and specific, and read what it produces for the details only your workspace could have supplied. That tells you quickly whether your setup is carrying enough.
